American power metal outfit Hammeron, based in Chicago, started out in the early 1980’s with a different lineup than the one that would come to release the cult album Nothin´ To Do Again But Rock in 1986. Vocalist Brian Troch joined the band early on and soon after talented guitarist Jack Lazor also joined in. By the mid-1980’s, these two were complemented by guitarist Mick Vega, bass player Danny Vega and the only original member, drummer Pete Pagonis. Just before recording their debut album Pagonis left the fold to join Damien Thorn, leaving the band without any remaining original members. Enter Jeff Ward, a powerhouse drummer with a great timing and feel and also the brother of Flotsam & Jetsam bassist Jason Ward.
The classic line up was now in place and would last until the band broke up in 1990. In 1985 the band managed to get two songs published on two sampler collections; ”Marching Off to War” (Chicago Class of 1985) and ”The Only One” (Chicago Metal Works Battalion 2). Why these two were omitted from these reissues I do not know.
Nothin´ To Do Again But Rock!

Wired For Sound!

Music style changed for the band and they started to grow apart, not being in agreement on where to go, Hammeron parted ways in 1990. Jeff Ward would then move on to play with Ministry and Nine Inch Nails, however, he struggled with a heroin addiction and tragically took his own life in 1993 (RIP). Guitarist Jack Lazor went on to sing for Widows Rose in Arizona with Jeff´s brother Jason (also in Flotsam & Jetsam). Mick Vega moved on to play with Syndrome, Mad Dog, The Plague and Rising Up Angry. Dan Vega also played with Widows Rose and Mind Bomb. Lead vocalist Brian Troch took the job as frontman with Znowhite and later on Cyclone Temple. Later on, he teamed up with Joe Stump, Jeff Tortora and Jimmy Pma to form Shootinghemlock and released two albums with them. Currently, Brian is playing with the band Flywater.
Track By Track Comments (Nothin’ To Do Again But Rock)
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| Picture courtesy of Underground-Empire.com |
The album starts off with the fast paced rocker ”Silent Victim” with a simple but nice chorus. The song has some interesting tempo changes with a slow mid-section and it keeps me interested throughout the song. A good way to start off the album! This is then followed by the title track, ”Nothin´To Do But Rock”, with it’s midtempo during the verses and some intricate beats. It steps up a gear for the chorus, but it is a really strong effort! Troch shines on this one providing a great vocal effort and this song has a nice melodic guitar solo. The album then picks up with the song ”So True” which is one of the strongest tracks on the album. Nice guitar licks by Vega/Lazor and heavy riffing during the verses with Troch’s melodic vocals on top. Again the song is slightly progressive but in a very positive way making Hammeron stand out from other bands. Keeping up on the high end another strong effort is to follow in ”Jealousy” which is a semi-ballad type of thing. The verses are sung in a ballad context, but the song evolves into a heavy and faster song for the really strong chorus. Another slower song follows suit in ”Endless Nights” and it’s also a very strong song with it becoming heavier again for the chorus. Yet again, it is a really strong one with a nice vocal from Troch. ”Why Lie” starts off with a weird beat which then introduces Queensryche-like guitar lick
s and then turning into a strange but interesting chorus with a faster pace. Probably the oddest song on the album and it demands listening to a couple of times. Not the instant hit but that goes for the whole album I think. The next song, “Sleepwalker”, is a faster-paced rocker with a more direct approach. ”Sands Of Pyre” offers a heavier and grooving sound than the previous songs with the tasteful use of keyboards. The song adds nicely a new element to the mix with the album then rounding off with a nice and melodic rocker in ”To The Top”. This should have been a first single in my opinion having the melody and commercial feel the radio was looking for in the 80´s with a direct and simple hook line and a great chorus!
Track By Track Comments (Wired for sound)
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| Picture courtesy of Metal-Archives.com |
The album starts off in great style with a really strong song, the fast paced rocker ”One More Time”. Just as strong as “Silent Victim” which started off the debut album. It is continued with album highlight ”Hold You” which features some really nice guitar licks from Vega/Lazor once more and a great melodic chorus! In the next song, ”Hungry For a Fight”, you can clearly hear the band going for a heavier sound with a straight ahead rocker based on heavy riffing and Troch stretching his vocals to the limit on the chorus. The album then continues on with another fast paced heavy rocker called “Journey’s End”. With the faster songs, the progressive beats also fade away which is too bad. ”Journey´s End” is still a really nice song with a melodic chorus and the song features a nice guitar solo duel. With the next song, ”The Way”, we´re back in ”Queensryche-land”! The song could easily have been an extra track on The Warning or Rage For Order albums with Troch reaching a really high pitch and both beat and riffs taking me back to the early Queensryche years. Together with ”Hold You”, these are definitely the album’s highlights! Next song is ”Living On The Edge” and the last song from the 1987 demo included here. It´s a good straight ahead rocker but nothing that stands out. The last three songs ”Full Force”, ”Sponges” and ”Hammer and Sickle” are nothing short of an attempt at the Pantera sound and they fail miserably. Only gives me earache and a bad way to round off an otherwise interesting album.
Summary

The Lionsheart






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