We were all set to release a very big interview-based episode this week with producer/engineer extraordinaire Toby Wright until we discovered that the week of Thanksgiving (here in the U.S.) is not particularly kind to podcasts as many listeners are on holiday and podcasts, by nature, are consumed by a large number of listeners while on the job.
With that in mind, we wanted to make sure our conversation gets the exposure it deserves so we are pushing it back by a week. In the meantime, this week we give you a music-based taste of the massively impressive Toby Wright discography. Episode 60 – The Wright to Rock gives you a heaping helping of Rock & Metal to tide you through until next week.
We open the show with a kicking track from Corrosion of Conformity’s 1994 Deliverance album before seguing into System of a Down recording a blinding Black Sabbath cover for 2000’s Nativity in Black II album.
One of the most interesting stories that will be revealed in next week’s conversation with Toby Wright will be that of the controversy surrounding Jason Newsted’s bass sound (or lack thereof) on 1987’s …And Justice for All. With a good primer for that discussion, we give you a track that is truly to die for from this landmark album. We follow that up with a rare track from a rare band, Cats in Boots, that was an American/Japanese hybrid. Toby Wright was an assistant engineer on this 1989 release.
Coming back from the break we relax things a bit with a great tune from Alice in Chains from their massively successful EP, Jar of Flies before cranking things into overdrive with a Slayer cover of a Steppenwolf tune from a NASCAR-themed release. How’s that for digging deep?!
We travel back to 1991 to spin a track from the first album that Toby Wright produced by Canadian-bred band Brighton Rock from their Love Machine album before spinning a track of a much-discussed, controversial KISS album that never got the exposure that it deserved.
Korn reached overwhelming mainstream success in 1998 with the release of Follow the Leader. In next week’s discussion, you will hear about the circumstances that led to Toby Wright being the producer of this album that showcased a fuller, thicker guitar sound. In the meantime, we give you a deep cut that will certainly get you fired up.
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It’s rare that a tacked on “new” track on a greatest hits compilation can stand up to the hits that it’s sandwiched with but we finish off today’s Toby Wright-themed episode with a track that is every bit as worthy as its competitors-in-song from Motley Crue’s 1991 Decade of Decadence album.
We think you’re gonna love next week’s discussion with Toby Wright and hope this week’s music-themed episode helped get you in the mood for it. Happy Thanksgiving!
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