Now Hear This: Big Bang Babies

     The song from the EP that probably would have garnered them the most attention if it had come out a few years earlier is the first song, “Everybody Needs A Hero.” It’s catchy as hell. I think MTV would have given its flashy video (because there would have been one) a few spins in 1988/1989.

     Something was happening on the Sunset Strip in the nineties, something decidedly different from the alternative revolution that MTV was propagating. The bands that remained on the strip took the glam image to its furthest extreme and shamelessly indulged their pop sensibilities, I’ve often seen what they were doing referred to as “bubblegum.” Call it what you want, they definitely explored extremes. Bands like Heart Throb Mob, Queeny Blast Pop and Tryx cultivated a style and image that was beyond over the top and a sugary pop punk sound that made no apologies. Big Bang Babies fit with those bands but they also maintained a connection to the earlier Sunset Strip vibe that Poison had co-opted and transplanted from clubs to stadiums.

     How could anyone resist that song? But the big rock albums of 1994 were Green Day (like), Live (hate), Weezer (like), NIN (hate), Soundgarden (okay), Hole (ugh). “8 Arms” in the context of the musical climate of 1994 was “alternative” because “alternative” had become mainstream. In 1992/1993 a band like Big Bang Babies were the rebels. Big Bang Babies were the real thing. The cynical view of the “hair metal” years is that those bands were just in it for the money. I disagree, I think most of the “hair metal” bands just loved rock and roll. They wanted to be rock stars for a variety of reasons. Most of the members of those “hair bands” had shunned societal expectations and risked it all to pursue a dream. Many had a romance with rock and roll that their pretentious and elitist detractors could not relate to. Those who deemed “hair metal” low class and beneath them did not begrudge the similar flamboyant extremes of David Bowie or the New York Dolls because they were allowed to like David Bowie and the New York Dolls. This idea that all “hair metal” was disingenuous and all “alternative” music was honest and heartfelt is just plain bullshit. For example, the cover of the first Weezer album was just as calculated and image-conscious a concoction as the cover of Look What The Cat Dragged In. 

How can I be so sure? Rivers Cuomo used to play the Sunset Strip!

That’s Rivers, top middle.

That’s Rivers on the right.

     Case closed. (Disclaimer: I love the first four Weezer albums). Back to the topic at hand, the ballad on Black Market, “Hear You Say,” is a very well-written song and almost certainly would have been a massive hit five years earlier.

     My favorite song by the band is a hidden track on the Black Market CD, it’s not even listed! I’m going to call it “Let’s Go.” I love it: great riff, cool verse, awesome bridge, singalong chorus. Put this song on Headbanger’s Ball next to Winger and Slaughter and tell me which band would have stood out.