These Austrians Shout For Heavy Metal

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These Austrians from the city of Vorarlberg started out in the 80’s and issued a three track, cult followed EP, No War in 1987 as well as some demo recordings.  They were not heard from again.  Re-grouping in 2009 they released No War & More, a compilation album featuring the No War  EP and some bonus tracks via Pure Steel Records.  2011 saw them issue their first full length in Mortician and now they have returned with Shout For Heavy Metal.  Originals Patrik Lercher (bass) and Thomas Metzler (guitar) have joined with new recruits Daniel Kahn (vocals) and Alex “Black Cat” (drums) for this latest outing.  I guess you could say it took Mortician a long time to get going, but it seems they’re not about to lose momentum now and thank God for that!

The album art for Shout For Heavy Metal seems to conjure up Iron Maiden images and the record starts off with a sort of Iron Maiden vibe in the title track, “Shout For Heavy Metal”.  As the song begins to kick in and your head starts banging the vocals seem a bit of a contrast, not fitting very well.  That feeling quickly left me as the song went on and I became accustomed to Daniel Kahn‘s growly tones.  The track is a pure fist pumping, hard driving metal anthem at it’s finest.  The rampaging opening riffs of “Eagle Spy” carry this helping of old school metal bound to incite some air drumming.  Iron Maiden is not the only influence on Mortician as “Promised Land” contains elements reminding me of other greats such as Saxon and Accept, but again the vocals seem a little mismatched at times during the verses.  The shortest song, “Rock Power” at just over three minutes weighs in next having a decided Saxon vibe to it while “The Devil You Know” screams Judas Priest to me.  Mortician have all the influences of the bands tattooed on my arm!  The “Satan” chanting in “Black Eyes” is a little odd but “Inner Self” has a ridiculously, awesomely catchy chorus and had my head banging while air drumming with
pencils sitting at my computer desk writing this.  “Hate” starts off slow and acoustic before filling out almost like a bomb drops in a plodding composition, my least favorite in every
listen.  “Wrong Way” brings us back again, another ripping anthem and strong closer for the record.

The promo photo included in the press kit only pictures three of the men and for crying out loud, do you think you could have put the cell phone down during the photo shoot???

The more I delve into and play Shout For Heavy Metal, the more Kahn‘s vocals settle in with me.  He seems to wear several hats and displays just as many vocal styles, usually more than one during each track. From the growly/gravelly to strong and clear to high pitched, sometimes seeming almost like there’s shared vocal duties with another member.  Is it Priest/Maiden/Accept/Saxon?  No, but it is chock full of 80’s style power riffs and does their obvious influences proud.  I’ll be shouting for heavy metal today as I search out 2011’s Mortician for purchase!

Cheers,
The Meister

(The Meister on Facebook) (Meister on Twitter)

PHOTO CREDIT: PURE UNDERGROUND RECORDS PRESS KIT 2014

(Mortician Website) (Mortician Facebook)

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